‘Diner’ in ‘The Kominsky Method’

The 2018-2021 Netflix series The Kominsky Method, produced and written by Chuck Lorre, had a lot of showbiz in-joke Easter eggs. There was the moment when Jon Cryer (playing himself as an awards-show presenter) shouts down a heckler named “Chuck”–presumably Lorre. It tickled me when some students in the acting class of Sandy Kominsky (Michael Douglas), students staged a scene from Lorre’s popular hit, critical whipping post Two and a Half Men. The somewhat pretentious Sandy cringed; the scene killed. And (spoiler alert), in the final season, Sandy–who has always been a those-who-can’t-do-teach kind of guy–gets cast in the title role of a big-budget version of The Old Man and the Sea, directed by Barry Levinson, playing himself.

But my favorite was the movie-in-movie scene in the penultimate episode, written by Lorre and directed by Andy Tennant. Gathered around the TV are Sandy, his ex-wife (Katherine Turner), their daughter, Mindy (Sarah Baker), and Mindy’s husband, Martin (Paul Reiser, going with the unfortunate balding pony tail look).

It’s a classic scene from Levinson’s first movie, Diner (1982), featuring Steve Guttenberg, Daniel Stern, Kevin Bacon, and–of course–Reiser himself, more or less unrecognizable. As Sandy says, “Hard to believe these guys were unknown actors when Barry cast them.”

Delicious.

‘The Creature Walks Among Us’ in ‘WandaVision’

As anyone who’s seen it or even read about it knows, the Disney TV series WandaVision is heavily into “Easter eggs,” in jokes, arcane references, and all sorts of meta stuff. Now, part of the deal with Easter eggs is that they’re not easy to to spot, which in movies and TV shows often translates into going by really fast. That’s the case in episode eight, “Previously On” (even the episode titles are meta!), where, in addition to seeing characters watching old episodes of The Dick Van Dyke Show and Malcolm in the Middle, we’re shown an extremely brief shot of a movie marquee. I had to go through the scene four or five times, pausing and starting, before I finally snagged this fuzzy screen shot.

I had no idea what “Tannhauser Gate” signified, until I googled it and discovered it’s not the title of a movie nor areal place but a reference to some lines in the 1982 film Blade Runner: “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.” The indispensable website TVTropes reports that “References to the Gate crop up repeatedly in other [science fiction] media as a Shout-Out to Blade Runner.”

The movie-in-movie scene I’m here to tell you about takes place in episode six, “All-New Halloween Spooktacular,” directed by Matt Shakman, and is also short enough to qualify as an Easter egg. There’s a Halloween festival going on in the town where WandaVision takes place, Westview, and projected against a building is a black and white movie. We see a second and a half of it, tops, and most of the time only a fraction of the screen in the background. (If you want to know what’s going on in the foreground, with the kid and the lady in the witch costume, you have to watch the show.)

Other than the fact that it looked like some kind of monster was walking around, I had no idea what the movie was. The usually reliable Connections feature of IMDB was no help, probably because the episode was so new. So I made an appeal on Twitter, and sure enough, in 53 minutes, I had an answer, courtesy of Andrea Fiamma (@failflame). She reported that the website Nerds and Beyond had i.d.-ed the movie as The Creature Walks Among Us (1956).

Now why did director Matt Shakman choose this movie, which was the second sequel to The Creature from The Black Lagoon? Nerds and Beyond, after identifying the film, makes the cryptic comment, “And suddenly it all makes sense.” But how? Why? If any nerd out there has an answer, I’d be happy to hear it.

‘Scorsese’ in ‘Pretend It’s a City’

I don’t believe I’ve ever written about a movie-in-documentary scene. But I couldn’t resist featuring this bit from the third episode of Martin Scorsese Netflix documentary about Fran Lebowitz, Pretend It’s a City. Lebowitz is complaining (three words that anyone describing the series will use pretty often) about New York City taxicabs, in particular the little screens built into the back of the front seat on which continuously stream various kinds of content. Lebowitz says she doesn’t know how to turn them off, and we cut to a scene where she tries to and fails:

That’s Scorsese, of course, saying “He just got out of prison.” It didn’t take much searching to discover that the clip is from a public-service announcement that was shown in movie theaters in 2009, encouraging people to turn off their cell phones. So much for the power of advertising.

It’s a pretty delicious in-joke for a series that’s quite elegantly made and is filled with nice touches. And here, for your information, is the whole commercial — whose title, when it went up for awards and such, was simply “Scorsese.”